Product Description GET THE GRINGO stars Mel Gibson as Driver, an American criminal who violently crashes his car into the border wall as he tries to outrun the U.S. Border Patrol. Driver survives the crash only to land inside a hard-core Mexican prison where he enters the strange and dangerous world of "El Pueblito." Driver finds unlikely guidance from a 10-year-old kid who shows him the ropes. Amazon.com Mel Gibson's comeback continues with Get the Gringo, an agreeable action-adventure featuring Gibson in the title role. The disgraced actor (he also cowrote the script) has very few friends on the Hollywood A-list these days, so it's not surprising that he is one of the few known commodities associated with the film; nor will this be remembered as one of his finer efforts. But it's still an enjoyable ride--literally, as the opening shots show a wild car chase with "Driver" (Gibson) at the wheel, dressed in a clown suit and accompanied by a huge haul of cash and a dead partner in crime, in a mad dash for the Mexican border. He makes it, but is quickly set upon by Mexican cops, who take his money and throw him in jail. But this is no ordinary prison. "El Pueblito" is exactly what its name suggests: a small city where inmates' families can live with them, all manner of crime goes completely unchecked, and everyone is either on the make or on the take. Driver quickly hooks up with a 10-year-old boy who knows the ropes (and has an attractive single mom), but there are inevitable complications, including a big one involving the kid and the majordomo who runs the joint. Meanwhile, lots of folks want to get their hands on the stolen money, not least Driver himself--but while the bad guys think they're manipulating him, naturally it's the other way around, and it's in the course of the scenes where his character wrests control from them that Gibson is at his best, displaying the roguish and entirely lethal charm the actor brought to many past roles. Get the Gringo is a violent film, with a script that features some clever dialogue but a somewhat disjointed story (the heavy use of voice-over to explain things is never a good sign). Bonus material includes a short "making of" and some featurettes about the stunt work and other details. --Sam Graham